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Cannabis remains in the mix as the thread that holds the whole together.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eEach issue now addresses a single creative endeavour; this first one looks at art, and is guest edited by artists Nick Cave and Bob Faust. They bring together nearly 50 artists, writers, and photographers to create a companion to the contemporary cannabis lifestyle, including Broadway legend André De Shields, author Jonathan Lethem, photographers Hunter Abrams and Sam Lee, food writer Chala June, and more. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePositioned very much in the magazine-as-experience camp, stories about saunas, clubs, music and food are held together by Jonathan Lethem’s ode to the imaginary Mr Karen, running through the issue on narrower pages. 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Ten collectible covers and an international roster of artists, thinkers, designers, filmmakers, musicians, and cultural pioneers. \u003c\/p\u003e","brand":"Ink-ish","offers":[{"title":"Default Title","offer_id":48768930939017,"sku":null,"price":40.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0771\/2728\/6921\/files\/9773021570005.webp?v=1792883602"},{"product_id":"pit-17","title":"Pit #17","description":"\u003cp\u003e\u003cspan\u003e\u003cem\u003ePit\u003c\/em\u003e uncovers the most interesting and unusual food stories from around the world through people, traditions, techniques and ingredients.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIn this issue: TV\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eThe latest issue of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePit\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eexplores food and TV! Highlights include portraits of Americans eating in front of their screens, the golden age of TV food ads, and a QVC shopping channel food stylists on the mass wastage within TV shoots. Issue #17 profiles Lalita Ahmed, the first cook to share Indian food on British TV, and deep dives into the EU’s butter mountain scandal of the 1980's. Also inside: Homer's Donut Odyssey, Manga Munchies, Dystopian Dining, Twin Freaks! 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Each issue features one complete weekend menu, from Friday dinner through Sunday lunch, with thoughtfully connected recipes, streamlined prep, and ingredients used fully throughout.  This Summer Menu features Tomatoes, Sweet Corn and Watermelon.\u003c\/span\u003e\u003c\/p\u003e","brand":"Ink-ish","offers":[{"title":"Default Title","offer_id":48772784947337,"sku":null,"price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0771\/2728\/6921\/files\/Untitled-9-2048x2048.jpg?v=1792952587"},{"product_id":"cero-11","title":"Cero #11","description":"\u003cp\u003eA nonprofit culture publication that spotlights rising talents with a dedication to creativity, inclusivity, sustainability, and accountability.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"sc-eoDsQu EoyPT\"\u003eIn this Issue:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan class=\"sc-eoDsQu EoyPT\"\u003e\u003c\/span\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"sc-eoDsQu EoyPT\"\u003e\u003cem\u003eCero's\u003c\/em\u003e 5th anniversary issue! Featuring cover stars Ilia Malinin, Kim Petras, Arlo Parks, and Danielle Deadwyler and conversations with Erin Moriarty, Lykke Li, Diego Calva, Josh Rivera, and Broadway composer Jeanine Tesori. Also inside, original poetry and thoughtful essays considering the dangers of artificial intelligence. \u003c\/span\u003e\u003cspan class=\"sc-eoDsQu EoyPT\"\u003eIn this age of conflict and uncertainty, issue #11 of \u003cem\u003eCero\u003c\/em\u003e recommits to art's greatest power: to connect, to do better and come together. \u003c\/span\u003e\u003c\/p\u003e","brand":"Ink-ish","offers":[{"title":"Default Title","offer_id":48828935372937,"sku":null,"price":23.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0771\/2728\/6921\/files\/Group1.webp?v=1793390709"},{"product_id":"movement-research-performance-journal-61-dramaturgy","title":"Movement Research Performance Journal #61: Dramaturgy","description":"\u003cdiv class=\"description product-section grid grid-cols-12 lg:grid-cols-16 gap-4 enter-in-1 animation-delay-400\"\u003e\n\u003cdiv class=\"col-span-12 lg:col-span-8 lg:col-start-5 rich-text text-md-plus leading-none\"\u003eTheories of dance dramaturgy can be found in a growing body of literature on the field (see our incomplete reading list in this issue). But for Issue #61 of the Movement Research Performance Journal the editors decided stay in the not-knowing by inviting contributions from those whose work touches on dance dramaturgy with curiosity, anxiety, anarchy, as well as a conviction for the intimacy it requires and a resistance to its history of institutional\/state authority. At the heart of the issue is a special section by Contributing Editor Ligia Lewis. Across Lewis’ works there are not only a range of dramaturgs, but the role of dramaturgy shifts and morphs in relationship to the differing works and over time. The reinvention of the dramaturg that Lewis’ work articulates is something that has proliferate throughout the field of contemporary dance. The rest of the issue includes a range of texts, some from practicing dramaturgs, others from to those who have reluctantly accepted this title, and still more who reject the role outright — all exploring a simple question: why has there been an explosion of interest in, perhaps even desire for, dramaturgs in contemporary dance? The explosion I’m thinking of is not about a growing professionalization of dance dramaturgy (though that is certainly happening…). I mean simply that more dance and performance artists are including dramaturgs as part of their process, and at the same time seem to be continually reinventing what the dramaturg is meant to do. What can we make of the desire for the dramaturg as well as the desire to continually reinvent this figure and its function?\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Ink-ish","offers":[{"title":"Default Title","offer_id":48828949069961,"sku":null,"price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0771\/2728\/6921\/files\/MRPJ_61_cover-536x784.webp?v=1793390945"},{"product_id":"mutt-art-review-4","title":"Mutt Art Review #4","description":"\u003cp\u003eSPRING\/SUMMER 2026\u003c\/p\u003e\n\u003cp\u003eFEATURES\u003cbr\u003eDavid Joselit and Janine Iversen in conversation, Mirror Trick: On the self-regenerating oeuvre of Bettina by Cecilia Bien, INSIDE THE PEARL II:Inframince, the Message in Miniature (Conceptual Commodities and N-Dimensional Translation) by Matilda Lin Berke\u003c\/p\u003e\n\u003cp\u003ePORTFOLIO\u003cbr\u003eBettina (1927-2021)\u003c\/p\u003e\n\u003cp\u003eON DUCHAMP\u003cbr\u003eTrevor Winkfield, Jutta Koether, Charles Gaines, B. 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It comes from an Ernest Hemingway book, ‘For luck you carried… a rabbit’s foot in your right pocket… the claws scratched in the lining of your pocket and you knew your luck was still there.’\u003c\/p\u003e","brand":"Ink-ish","offers":[{"title":"Default Title","offer_id":48828970336393,"sku":null,"price":30.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0771\/2728\/6921\/files\/a-rabbits-foot-issue-16-film-fashion-6011511.webp?v=1793391764"},{"product_id":"garden-party-magazine-3-rituals","title":"Garden Party Magazine #3: Rituals","description":"\u003cp class=\"p1\"\u003e‘Dedicated to the small, the slow, and the tender’\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eElena Fazzino’s new annual photography magazine \u003ci\u003eGarden Party\u003c\/i\u003e is posited as ‘an invitation to notice more’ and captures the ephemeral joy of daily life’s quiet in-between moments. 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Dirty looks, dirty martinis, dirty jokes, muddied memories, doormat diaries, bad weather, bird droppings, and bin days, but hey! It all comes out in the wash! \u003c\/p\u003e","brand":"Ink-ish","offers":[{"title":"Default Title","offer_id":48828991832201,"sku":null,"price":28.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0771\/2728\/6921\/files\/Screenshot2026-10-08at12.02.47_520x696_06164c5f-df49-4356-9dc7-cf30bb467f39.webp?v=1793392221"},{"product_id":"mousse-96","title":"Mousse #96","description":"\u003cp\u003e\u003cem\u003eMousse\u003c\/em\u003e covers contemporary art, culture, and critical theory through interviews, essays, exhibition reviews, and columns by leading figures in international criticism, visual arts, and curation.\u003c\/p\u003e\n\u003cdiv class=\"woocommerce-product-details__short-description entry-content\"\u003e\n\u003cp\u003e\u003cstrong\u003eIn this issue: A Visual Record, 20th-anniversary\u003c\/strong\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\nThis special anniversary edition of \u003cem\u003eMousse \u003c\/em\u003elooks back at two decades of contemporary art criticism through 280 pages of scanned archives from \u003cem\u003eMousse Magazine\u003c\/em\u003e and \u003cem\u003eMousse Publishing.\u003c\/em\u003e Plus, \"A Love Letter to Mousse\" by Andrew Berardini. \u003cbr\u003e\n\u003c\/div\u003e","brand":"Ink-ish","offers":[{"title":"Default Title","offer_id":48829003038857,"sku":null,"price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0771\/2728\/6921\/files\/FINAL_MM96.webp?v=1793392479"},{"product_id":"fare-magazine-warsaw","title":"FARE Magazine: Warsaw","description":"\u003cp\u003e\u003cem\u003eFARE\u003c\/em\u003e is a bi-annual print publication exploring city culture through the intersection of food, history, and community. Each issue is guided by locals of the city. It works with as many local writers, photographers, and illustrators as possible, so that in addition to expert insight, you also get a sense of the creative aesthetic.\u003c\/p\u003e\n\u003cdiv id=\"shopify-section-template--21562694631758__rich_text_Cx3ygp\" class=\"shopify-section can-be-fullwidth merged-section supports-absolute-header\" data-js-inert=\"\"\u003e\n\u003cdiv class=\"container--fullwidth container--negative-margin\"\u003e\n\u003cdiv id=\"element-template--21562694631758__rich_text_Cx3ygp\" class=\"card card--no-radius card--no-sideborders element--height-small rich-text\"\u003e\n\u003cdiv class=\"rich-text__container rich-text__container--image-top no-image rich-text__container--fullwidth\"\u003e\n\u003cdiv class=\"rich-text__text align-content align-content--horizontal-left align-content--vertical-middle container--large gutter-top--xlarge gutter-bottom--xlarge\"\u003e\n\u003cdiv class=\"card__text spacing--custom remove-empty-space\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"heading-size--small\"\u003eInside this issue:\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"shopify-section-template--21562694631758__text_columns_jeN3jn\" class=\"shopify-section mount-css-slider\" data-js-inert=\"\"\u003e\n\u003cdiv class=\"container--large container--vertical-space-small remove-empty-space\"\u003e\n\u003cdiv class=\"grid grid--layout grid-4 grid-lap-2 grid-palm-1 grid--align-items-stretch\"\u003e\n\u003cdiv id=\"shopify-section-template--22870585835854__text_columns_jeN3jn\" class=\"shopify-section mount-css-slider\" data-js-inert=\"\"\u003e\n\u003cdiv class=\"container--large container--vertical-space-small remove-empty-space\"\u003e\n\u003cdiv class=\"grid grid--layout grid-4 grid-lap-2 grid-palm-1 grid--align-items-stretch\"\u003e\n\u003cdiv id=\"element-text_bhCaRt\" class=\"card card--animation text-align--left\"\u003e\n\u003cdiv class=\"spacing--small remove-empty-space gutter-top--regular text-align--left\"\u003e\n\u003cdiv class=\"rte remove-empty-space\"\u003e\n\u003cp\u003e\u003cspan class=\"metafield-multi_line_text_field\"\u003eQueue up at the kitchen window for a meal at Rusałka, a Soviet-era milk bar serving up comforting and nostalgic Polish classics\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"element-text_xCnzTh\" class=\"card card--animation text-align--left\"\u003e\n\u003cdiv class=\"spacing--small remove-empty-space gutter-top--regular text-align--left\"\u003e\n\u003cdiv class=\"rte remove-empty-space\"\u003e\n\u003cp\u003e\u003cspan class=\"metafield-multi_line_text_field\"\u003eVenture to the rooftops with Kamil Baj, whose sky-high apiaries buzz with activity, producing kilos of golden honey and paving the way for a new generation of urban beekeepers\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"element-text_dwLmA9\" class=\"card card--animation text-align--left\"\u003e\n\u003cdiv class=\"spacing--small remove-empty-space gutter-top--regular text-align--left\"\u003e\n\u003cdiv class=\"rte remove-empty-space\"\u003e\n\u003cp\u003e\u003cspan class=\"metafield-multi_line_text_field\"\u003eMeet Monika Mazurek and Klaudia Górak, owners of Peaches, a contemporary vegan restaurant challenging the norms of Warsaw's food scene in more ways than one.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"element-text_Ccdymk\" class=\"card card--animation text-align--left\"\u003e\n\u003cdiv class=\"spacing--small remove-empty-space gutter-top--regular text-align--left\"\u003e\n\u003cdiv class=\"rte remove-empty-space\"\u003e\n\u003cp\u003e\u003cspan class=\"metafield-multi_line_text_field\"\u003eStep into the past at Look Inside, where collectors Marek Rykiel and Janek Rygiel have curated a shop full of treasures that speak to Warsaw’s unique history.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Ink-ish","offers":[{"title":"Default Title","offer_id":48830518821001,"sku":null,"price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0771\/2728\/6921\/files\/fare_warsaw_cover_1_yellow.jpg?v=1793395137"},{"product_id":"blumenhaus-6","title":"Blumenhaus #6","description":"\u003cp\u003e\u003cspan\u003e\u003cem\u003eBlumenhaus\u003c\/em\u003e is \u003cem\u003ethe \u003c\/em\u003eluxurious art \u0026amp; botanical review. \u003c\/span\u003eWritten by a group of professional editors \u0026amp; journalists specialized in botany, \u003cem\u003eBlumenhaus\u003c\/em\u003e focuses as much on the aesthetic side – mixing contemporary visuals and antique archives – as on bringing insight to its readers.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIn this 6th issue:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBotanical Influence: Folklore, Costume \u0026amp; Culture\u003c\/li\u003e\n\u003cli\u003eThe Wheel of the Year\u003c\/li\u003e\n\u003cli\u003eBulgarian Masquerade\u003c\/li\u003e\n\u003cli\u003eDagobert Peche Laces and Textiles Designs\u003c\/li\u003e\n\u003cli\u003eWilliam Robinson: The Visionary Gardener\u003c\/li\u003e\n\u003cli\u003eJ.J. Grandville illustrations: Flower Waltz\u003c\/li\u003e\n\u003cli\u003eEssential Parfums new fragrance\u003c\/li\u003e\n\u003cli\u003eThe Fragonard Fashion \u0026amp; Costume Museum\u003c\/li\u003e\n\u003cli\u003eA Chronicle of Château Vauville’s Garden Tools \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Ink-ish","offers":[{"title":"Default Title","offer_id":48830631706761,"sku":null,"price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0771\/2728\/6921\/files\/Screenshot-2025-10-24-183628.jpg?v=1793396789"},{"product_id":"buttercup-2","title":"Buttercup #2","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eButtercup Magazine is a Twin Cities-based print-only magazine covering rising and unique artists, writers, designers, and tastemakers across the Midwest.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eButtercup serves as a curated, tangible archive dedicated to celebrating the people and movements driving the new wave of Midwestern creativity.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIn an era of ephemeral digital feeds, we commit to the permanence of print, creating a lasting record that honors and elevates the work it features.\u003c\/span\u003e\u003c\/p\u003e","brand":"Ink-ish","offers":[{"title":"Default Title","offer_id":48830885953673,"sku":null,"price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0771\/2728\/6921\/files\/1.png?v=1793400227"},{"product_id":"mortise-tenon-21","title":"Mortise \u0026 Tenon #21","description":"\u003cp\u003eM\u0026amp;T is a beautiful biannual print magazine from the US celebrating the preservation, research, and recreation of historic furniture. With no ads, and 144 pages printed and perfectly bound on 70# opaque uncoated paper, this is not just any magazine, this is a coffee table magazine.\u003c\/p\u003e\n\u003cp\u003eThey believe a full appreciation of period furniture-making practice comes from an integrative approach where your mind is as engaged as your hands are in learning. For this reason they have essays to expand your knowledge, tutorials to expand your skills and interviews with the masters to inspire you to better work.\u003c\/p\u003e\n\u003cp\u003eMeet the most dedicated period furniture makers today producing the very best in authentic pre-industrial craftsmanship.\u003c\/p\u003e\n\u003cp\u003eGet a behind the scenes look into the life and work of the most accomplished furniture conservators that are entrusted to treat some of the most important US cultural artifacts.\u003c\/p\u003e\n\u003cp\u003eSit down with the USA's most preeminent furniture scholars and read about their life, furniture, and scholarship methodology.\u003c\/p\u003e\n\u003cp\u003eIssue 21 includes:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e“In the Throes of Construction: The Adventure of Building a Viking Ship” - Jay Smith \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e“Hidden Legacy: Colonial New Mexican Woodcraft” - Andrew Gonzales\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e“Working Within Compass” - Kenneth Schwarz\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e“Displaced: Folk Furniture’s Connection to Place, People, \u0026amp; Time” - Mike Epworth\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e“On the Outside: The House by Hand Exterior” - Joshua A. Klein\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e“Under the Table: An Examination of an 18th-Century Tavern Table”\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e“Voices of the Lost Boys: Tales by Early American Woodworking Apprentices” - Andrew S. Hogeland\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e“It Never Gets Old: A Visit to Bonhams Skinner Auction House”\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eAlex Ellis – “Seeds of Craft: On Replacing the Temporary with the Enduring” - Alex Ellis\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eBook Recommendation – “Five Timber Framing Books” - Nevan Carling\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Ink-ish","offers":[{"title":"Default Title","offer_id":48830914625673,"sku":null,"price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0771\/2728\/6921\/files\/MortiseandTenonMagIssueTwenty-One_frontcover_grande_900268cd-3eea-4de0-98b5-f5d19cdb15ce.webp?v=1793400783"},{"product_id":"useless-6","title":"Useless #6","description":"\u003cp class=\"lead text-justify\"\u003e\u003cem\u003eUseless\u003c\/em\u003e is an energetic, irreverent and visually experimental tabloid-style publication  documenting ‘un-functional fashion futures, gossip and nonsense’.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIn this issue:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"container\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cp class=\"lead text-justify\"\u003eGod is Glitter: Messy chaotic looks that embrace the anti-clean party-girl, What do Flowers have to do with Fashion?: Brands and their unofficial botanical trademarks, ‘Births, Deaths and Marriages’ column, Plus fashion stuff to read, watch, and cry to! \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Ink-ish","offers":[{"title":"Default Title","offer_id":48831011553417,"sku":null,"price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0771\/2728\/6921\/files\/359252-150434_1.webp?v=1793402470"},{"product_id":"texture-3","title":"Texture #3","description":"\u003cp\u003eIn this issue, sound and noise draw routes into a breadth of themes from pop, love, and performance through to motion and political action. The pieces we’ve decided to publish this time coalesce around a sense of connection in sound and music. Even if they’re often mediated by glass and metal and silicon, what makes these moments important is the act of connection at the end of the pipe. It’s you, tuning into a protest chant or gazing longingly into someone’s eyes or suddenly re-interpreting the history of something you took for granted. You will do all of this (and more) by the time you’ve read to the final page.\u003c\/p\u003e\n\u003cp\u003eTexture no.3 feautres writing by:\u003cbr\u003eAlek Rybinski\u003cbr\u003eMort Drew\u003cbr\u003eSam Ridout\u003cbr\u003eGiove Pereira, in conversation with Manoel J. de Souza Neto\u003cbr\u003eAlex Brown\u003cbr\u003eCrashkitty\u003cbr\u003eThomas Rainbow\u003cbr\u003eAnushka Holding-Savič\u003cbr\u003eChristian Jones\u003cbr\u003eClotilde Bayle\u003c\/p\u003e\n\u003cp\u003eEdited by Christian Jones\u003cbr\u003eDesigned and illustrated by Tommy Brentnall\u003cbr\u003ePublished and printed by Physical Interface\u003c\/p\u003e","brand":"Ink-ish","offers":[{"title":"Default Title","offer_id":48831027937417,"sku":null,"price":22.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0771\/2728\/6921\/files\/Screenshot2026-10-30at6.24.52PM.png?v=1793402703"},{"product_id":"the-wire-513","title":"The Wire #513","description":"\u003cp class=\"p1\"\u003e‘Adventures in sound and music’\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA must for any underground music fan,\u003ci\u003e The Wire\u003c\/i\u003e reports on alternative, underground and non-mainstream music, ‘waging war on the mundane and the mediocre.’\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIssue #513 leads with veteran American jazz pianist and composer Matthew Shipp, who sits down with longtime acquaintance Phil Freeman to reflect on his impressive career and share his personal goals for the future.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAlso in the issue: Edward George, Gigi Masin, Tears|Ov, Grouper, and more.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePlus, discover the latest edition of The Wire Tapper, a supplementary CD anthology of underground music.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Ink-ish","offers":[{"title":"Default Title","offer_id":48831041601673,"sku":null,"price":13.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0771\/2728\/6921\/files\/513-IG-cover_crop.jpg?v=1793402957"},{"product_id":"we-jazz-20","title":"We Jazz #20","description":"\u003cp\u003e\u003cem\u003eWe Jazz\u003c\/em\u003e is \u003cem\u003ethe\u003c\/em\u003e magazine for jazz lovers. Collectable \u0026amp; special, each issue includes stories on creative music, features on\u003cspan\u003e rarely covered artists, album reviews, Jazz news, events, think pieces \u0026amp; more.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cb\u003eIn this issue: Brilliant Corners, Thelonious Monk\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIssue #20 of We Jazz features Francis Gooding, Mats Gustafsson, Fielding Hope, Patrick Preziosi, Andy Thomas, Arttu Tolonen, Bret Sjerven, Daniel Spicer and Wif Stenger on Thelonious Monk. Miles Okazaki is profiled by Andrew Scott, Kiri Ra! by Wif Stenger, Dirar Kalash by Henry Boon, Dewey Redman on Impulse by Andy Beta, Water Damage by Matt Sonzala,and  Mikel Patrick Avery by Patrick Romanowski. Plus Tina Edwards on the Los Angeles based modern music company specializing in live converts; Jazz Is Dead. \u003c\/p\u003e","brand":"Ink-ish","offers":[{"title":"Default Title","offer_id":48831045009545,"sku":null,"price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0771\/2728\/6921\/files\/WeJazz20_1200x1706_834f6e55-ae20-408d-9953-3ed4e59fe157.jpg?v=1793403114"},{"product_id":"illustoria-30","title":"Illustoria #30","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLovers of physical letters, stamps, and handwriting from loved ones, rejoice! \u003c\/span\u003e\u003ci\u003eIllustoria\u003c\/i\u003e\u003cspan\u003e’s spectacular tenth-anniversary, thirtieth issue is dedicated to MAIL! Featuring triumphant, charcoal cover art by \u003c\/span\u003e\u003cb\u003ePablo Auladell\u003c\/b\u003e\u003cspan\u003e, a visual artist from Alicante, Spain.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eInside this special issue: Find postcards by Pablo which you can pop in the mail to a friend! Turn the pages and discover tips from \u003c\/span\u003e\u003cb\u003eCamilla Pintonato\u003c\/b\u003e\u003cspan\u003e to elevate your envelope-decorating game, learn how to send edible mail with our ongoing series led by Dog Chef (\u003c\/span\u003e\u003cb\u003eTom Bingham\u003c\/b\u003e\u003cspan\u003e), and find out how \u003c\/span\u003e\u003cb\u003eElena Mompó\u003c\/b\u003e\u003cspan\u003e makes postcards while on the go to memorialize her travels.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOur factoids page features the most unusual locations for post offices around the world (including underwater!). Plus, read submissions from young artists from around the globe with their proposals for redesigned postal carrier outfits. Find all this, plus book and art supply recommendations, writing by exceptionally talented young authors, stupendous mail-themed comics, and more inside this certified first-class issue.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003ci\u003eIllustoria\u003c\/i\u003e\u003cspan\u003e is a print magazine for creative kids and their grownups. We celebrate visual storytelling, makers, and DIY culture through stories, art, comics, interviews, crafts, and activities. 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International, well designed, simply written, and tastefully curated since 2008.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIn this issue:\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDozie Kanu, Darina Allen, Julian Schnabel, Dave Baby, Constance Debre, Rodney Mullen, Hannes Van Severen \u0026amp; Fien Muler, Filip Pagowski, Peaches, Martine Syms, Gerard Malanga, Go Hasegawa, Peter Hanley, and Joey Arias, Plus: \"The Culinary Academy of Pyrenees, On Tour!\", illustrated by Oscar Gronner, an ode to Inge Mahn, a return to Anupama Kundoo's Hut in Pwetite Ferme, and \"Wei Xing Doesn't Skate\", an essay by Jocko Weyland \u003c\/span\u003e\u003c\/p\u003e","brand":"Ink-ish","offers":[{"title":"Default Title","offer_id":49000295792777,"sku":null,"price":29.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0771\/2728\/6921\/files\/APARTAMENTO-ISSUE-38-COVER-LOW.webp?v=1794528528"},{"product_id":"i-d-377","title":"i-D #377","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003ei-D\u003c\/em\u003e celebrates fashion, music, art, film, individuality, and youth culture. Originally launched in 1980 by Terry Jones as a hand-stapled fanzine, \u003cem\u003ei-D\u003c\/em\u003e has one heck of a history.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIn this issue: The Mother Issue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe latest i-D celebrates mothers, mother figures, motherlovers, and formative influences. Features and cover stars include Gisele Bündchen on stepping away from the fashion rat race, finding herself again, and motherhood, Mia Goth on maintaining her spirit and teenage dreams, and 2Hollis on fanbases, Reddit, and his new album “Star.” Also featured: Slayyyter, Sophie Thatcher, John Glacier and Diya Joukani, Amanda Lepore, Glaive, Post Archive Faction, Je Suis Manon, Javier Calvo, and Javier Ambrossi. \u003c\/p\u003e","brand":"Ink-ish","offers":[{"title":"Default Title","offer_id":49041081270409,"sku":null,"price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0771\/2728\/6921\/files\/ID377_Covers-4x5.webp?v=1794696624"},{"product_id":"never-too-small-9","title":"Never Too Small #9","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e‘Creative, compact and joyful ways to design and live’\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eNever Too Small \u003c\/i\u003ehas fast established its voice in the interiors space, using interviews from the YouTube channel of the same name as the basis for coverage of clever ways to make the most of smaller homes. 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In ‘Liquid Amber’, \u003cstrong\u003eLuke Beesley \u003c\/strong\u003eallows his mind to drift through present and past as he completes a residency at the Abbotsford Convent – seeing the historical traces of the women who lived there, as he also remembers his own early experiences with his mother. \u003cstrong\u003eJing Cramb\u003c\/strong\u003e’s story ‘Weimin’ looks fearlessly at the painful dynamics between a migrant woman and her ageing father who has followed her out to her new life. \u003cstrong\u003eLuoyang Chen\u003c\/strong\u003e writes in his poems, ‘my agony is not \/ extra \/ -ordinary \/ but a sea \/ of green and blue fire \/ -flies that exist only \/ in childhood memories’.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEmma Sorensen\u003c\/strong\u003e’s essay recalls an extensive interview she did at a young age with writer Gillian Mears, and how that early conversation has echoed through her life as she makes her own way with writing. 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