{"product_id":"mousse-94","title":"Mousse #94","description":"\u003cdiv class=\"accroche\" itemprop=\"description\"\u003e\n\u003ca href=\"https:\/\/www.lespressesdureel.com\/EN\/auteur.php?id=2490\"\u003ePetrit Halilaj\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.lespressesdureel.com\/EN\/auteur.php?id=3384\"\u003eDanh Vo\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ein conversation; Forensic Architecture (\u003ca href=\"https:\/\/www.lespressesdureel.com\/EN\/auteur.php?id=2100\"\u003eEyal Weizman\u003c\/a\u003e, Nour Abuzaid, and Elizabeth Breiner); Gabrielle Goliath;\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.lespressesdureel.com\/EN\/auteur.php?id=1156\"\u003eEdward W. Said\u003c\/a\u003e; Shumon Basar; Dani Blanga Gubbay;\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.lespressesdureel.com\/EN\/auteur.php?id=407\"\u003eYvonne Rainer\u003c\/a\u003e;\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.lespressesdureel.com\/EN\/auteur.php?id=2434\"\u003eThomas Eggerer\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand Jochen Klein; Tobias Pils;\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.lespressesdureel.com\/EN\/auteur.php?id=3501\"\u003eTravis Jeppesen\u003c\/a\u003e...\u003c\/div\u003e\n\u003cdiv class=\"citation\"\u003e\u003cem\u003eCollective intelligence (along with its wildly popular counterpart, brain rot) is a recurring subject of late. This issue is woven together through reflections on methodologies of the collective, larger-than-ourselves dynamics and \"what goes unuttered (of, perhaps, what is painfully unutterable),\" as Zoé Samudzi writes about Gabrielle Goliath\u003cspan lang=\"EN-US\"\u003e—whose project for the South African pavilion at the upcoming Venice Biennale has been cancelled by the Arts and Culture Minister of her country for being \"divisive.\" We stand in solidarity with the artist.\u003cbr\u003e\u003c\/span\u003eForensic Architecture's\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.lespressesdureel.com\/EN\/auteur.php?id=2100\"\u003eEyal Weizman\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003espeaks of new ways of detecting \"hyper-relations\" as strategies to confront systemic violence.\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.lespressesdureel.com\/EN\/auteur.php?id=1156\"\u003eEdward W. Said\u003c\/a\u003e, in his crucial 1993 essay \"Speaking Truth to Power\" (reprinted here), argues that \"the intellectual's voice is lonely, but it has resonance because it associates itself freely with [. . .] the common pursuit of a shared ideal.\" And in our Curators section, Shumon Basar memetically reaffirms that now more than ever, \"Comment is king.\"\u003cbr\u003eLet's not shy away from commenting.\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv class=\"note\"\u003eThis issue comes with different covers, randomly distributed.\u003c\/div\u003e\n\u003cdiv class=\"bioAuteur\"\u003e\n\u003cem\u003eMousse\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a bimonthly contemporary art magazine. Established in 2006,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMousse\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003econtains interviews, conversations, and essays by some of the most important figures in international criticism, visual arts, and curating today, alternated with a series of distinctive articles in a unique tabloid format.\u003cbr\u003eMousse (Mousse Publishing) also publishes numerous catalogues, essays and curatorial projects, artist books and editions\u003c\/div\u003e","brand":"Ink-ish","offers":[{"title":"Default Title","offer_id":47151650177161,"sku":null,"price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0771\/2728\/6921\/files\/1mb_MM94_E-FLUX_COVER2.gif?v=1783095470","url":"https:\/\/inkishmagshop.com\/products\/mousse-94","provider":"Ink-ish","version":"1.0","type":"link"}